26. März 2018
Harvard Art Museums, 32 Quincy Street, Cambridge MA
Podiumsdiskussion zum kürzlich erschienenen Sammelband The Family of Man Revisited: Photography in a Global Age (I. B. Tauris, 2018) mit Makeda Best (Richard L. Menschel Curator of Photography), Gerd Hurm, Anke Reitz, und Shamoon Zamir.
On March 26, 2018, there will be a panel discussion on the Steichen project and recently published book The Family of Man Revisited: Photography in a Global Age (I. B. Tauris, 2018) at the Harvard Art Museums (moderated by Makeda Best, the Richard L. Menschel Curator of Photography at the Harvard Art Museums) with Gerd Hurm, Anke Reitz, and Shamoon Zamir.
For details see: https://www.harvardartmuseums.org/visit/calendar/family-of-man-revisited-photography-in-a-global-age.
27. März 2018
The Museum of Modern Art, 11 West 53rd Street, New York
Internationale Buchpräsentation und Podiumsdiskussion zum kürzlich erschienenen Sammelband The Family of Man Revisited: Photography in a Global Age (I. B. Tauris, 2018) mit Gerd Hurm, Sarah Meister, Anke Reitz, Shamoon Zamir, moderiert von Shelley Rice.
On March 27, 2018, there will be an international book launch of The Family of Man Revisited: Photography in a Global Age (I. B. Tauris, 2018) with a panel discussion featuring Gerd Hurm, Sarah Meister, Anke Reitz, and Shamoon Zamir, moderated by Shelley Rice.
Download details hier/here
"[The Family of Man] was a real shock for me... they showed so much and they told so much these pictures, these photographs, told so much about modern life, my life."
Gerhard Richter, German artist
“Of exhibitions of photography, 'The Family of Man' is the one most deserving of renewed critical reflection and assessment. This volume offers exactly that, providing new perspectives and information in an effort to make us think again about what we imagined we already knew. Anyone interested in photography's history and creative possibilities will want to read it.”
Geoffrey Batchen, Victoria University of Wellington, New Zealand
‘This anthology of contemporary essays and historical sources is an important contribution to the growing field of exhibition history. Through critical reevaluation of 'The Family of Man' and analyses of its international reception, the book breaks new ground with varied accounts of the show’s place in postwar culture and detailed discussion of its curatorial construction and modes of presentation.’
Bruce Altshuler, Director, Program in Museum Studies, New York University