Screen1900 Member Brigitte Schulze: Publications

Brigitte Schulze: Kino im interkulturellen Kontext (Interkulturelle Bibliothek, Band 56).Bautz Verlag: Nordhausen 2008, 140 pp.

Brigitte Schulze: Humanist and Emotional Beginnings of a Nationalist Indian Cinema in Bombay. With Kracauer in the Footsteps of Phalke, Avinus: Berlin 2003, 419 pp.

Brigitte Schulze: D. G. Phalke’s Raja Harischandra in British India of 1913: pioneering a national cinema under colonial rule. In: Richard Abel (ed): Early Cinema. Vol. III: Filmic Developments. Critical Concepts in Media and Cultural Studies. Routledge: London, New York 2013, pp. 256-269 (Reprint).

Brigitte Schulze: Poetic-Painful Lives of Women Performers Vis-à-Vis High-Caste Moral Modernity (as Remembered by Kamalabai Gokhale, and Retold by Brigitte Schulze). In: Heidrun Brückner et al. (eds): Between Fame and Shame. Performing Women – Women Performers in India. Harrassowitz: Wiesbaden  2011, pp. 211-220.

Brigitte Schulze: Was ‚Bollywood’ verdrängt: Kino-Traditionen ‚universalistischer Mensch-lichkeit’ in Indien. In: Claus Tieber (ed): Fokus Bollywood. Das indische Kino in wissenschaftlichen Diskursen. LIT Verlag: Münster  2009, pp. 161-175.

Brigitte Schulze: Ventures into a Moral Philosophy and Political Economy of Daily Life Experiences Through Cinema-mediated Reflections of Marginalised Women in Kerala: Challenging the Patriarchal Violence of the ‘Kerala Development Model’. In: Shakti Kak and Biswamoy Pati (eds): Exploring Gender Equations: Colonial and Post-Colonial India. Nehru Memorial Museum & Library Conference Proceedings: Delhi 2005, pp. 329-354.

Brigitte Schulze: Reflections on Cinema and Split Identities in Modernizing Societies. From Janakikutty (Kerala 1997) to Caligari (Germany 1920). In: Kunnath Gopinathan (ed): Film and Philosophy. University of Calicut (Kerala), Publication Division: Calicut  2003, pp. 144-170.

Brigitte Schulze: D’une Archéologie à une Sociologie du Cinéma. In: Louise Merzeau and Thomas Weber (eds): Mémoire & Médias. Les Editions Avinus: Paris 2001, pp. 59-67.

Brigitte Schulze: Schau-Platz Indien. “Die ganze Welt des Kinos”. In: Irmbert Schenk (ed): Erlebnisort Kino. Schüren: Marburg 2000, pp. 181-199.

Brigitte Schulze: Subjected Non-Subjects: ‘Indians’ of German Cinema and TV Screen. In: Germinal. Journal of the Department of Germanic & Romance Studies, Jawaharlal Nehru University, Delhi, vol. 2 (1998/99), pp. 119-135.

Brigitte Schulze: The First Cinematic Pauranik Kathanak. In: Vasudha Dalmia and Theo Damsteegt (eds): Narrative Strategies. Essays on South Asian Literature and Film. Research School CNWS: Leiden 1998 / Oxford University Press: Delhi 1999 and 2003, pp. 50-66.

Brigitte Schulze: Die Erfindung der geeinten Nation. Der indische Film. In: Rainer Rother (ed): Mythen der Nationen. Völker im Film. Deutsches Historisches Museum: Berlin 1998, pp. 113-130.

Brigitte Schulze: Tracing Living Histories of Cinema in Nasik. Reflections on a Sociology and Archeology of Early Indian Cinema. In: KINtop. Jahrbuch zur Erforschung des frühen Films. KINtop 6: Aktualitäten. Stroemfeld: Basel, Frankfurt 1997, pp. 185-192.

Brigitte Schulze: Land des Grauens und der Wunder. Indien im deutschen Kino. In: Jörg Schöning (ed.): Triviale Tropen. Exotische Reise- und Abenteuerfilme aus Deutschland.  edition text + kritik: Munich 1997, pp. 72-83.

Brigitte Schulze: D. G. Phalke’s Raja Harischandra in British India of 1913. Pioneering a National Cinema Under Colonial Rule. In: KINtop. Jahrbuch zur Erforschung des frühen Films. KINtop 3: Oskar Messter. Erfinder und Geschäftsmann. Stroemfeld: Basel, Frankfurt 1994, pp. 173-189.